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Hash Milhan
Hash Milhan is a Creative Technology Director at Publicis Groupe in Dubai, where he helps creative teams shape ideas and build what they pitch. Before that he spent eleven years at adam&eveDDB in London, making campaigns for John Lewis, Sony, YouTube and Virgin Atlantic. In his own time he builds fun things, mostly in code.
- Authority
- 46 reach 0 · trust 10 · quality 21 · freshness 15
- Tier
- listed
- llms.txt
- https://hashir.net/llms.txt
- Sections
- 4
- Links
- 26
- Size
- 4939 bytes
- Registered
- 2008-01-11
- Country
- — Publisher location unknown; CDN address excluded
- Country evidence
- No published address evidence collected yet
- For agents
- Documentation: developer or product docs worth reading, nothing to call
- First seen
- 2026-10-26T16:46:47.933Z
- Last checked
- 2026-10-26T16:46:48.338Z
- Badge
Their llms.txt
The beginning of the file, from our validated copy saved 2026-10-26T16:46:47.937Z. Cached copy · Source on hashir.net
# Hash Milhan
> Hash Milhan is a Creative Technology Director at Publicis Groupe in Dubai, where he helps creative teams shape ideas and build what they pitch. Before that he spent eleven years at adam&eveDDB in London, making campaigns for John Lewis, Sony, YouTube and Virgin Atlantic. In his own time he builds fun things, mostly in code.
Hash Milhan (Hashir Milhan) is a Creative Technology Director at Publicis Groupe MENA in Dubai, since August 2024. From 2013 to 2024 he was at adam&eveDDB and adam&eveStudios in London, as Creative, Interactive Creative and then Creative Technology Director. Client work at Publicis Groupe is under NDA, so the campaign case studies here are from adam&eveDDB. He also designs brand identities, such as the logo and identity for Chambers, a restaurant in Sri Lanka.
## Pages
- [Home](https://hashir.net/): the campaign reel, selected work, experiments and contact
- [Work](https://hashir.net/work/): all case studies
- [Experiments](https://hashir.net/experiments/): things made in his own time
- [About](https://hashir.net/about/): experience, education and clients
## Work
- [Myth Buster, YouthStudio](https://hashir.net/work/myth-buster/): 2026, game design and build. A pixel-art platformer for YouthStudio: three worlds, three bosses, three everyday excuses to bust.
- [Chambers](https://hashir.net/work/chambers/): 2022, brand identity. A new identity for a Middle Eastern restaurant in Galle Fort and Colombo, Sri Lanka, drawn from its signature tagine.
- [PlayStation 5, Times Square](https://hashir.net/work/playstation-5-times-square-ny/): 2020, digital out of home. Times Square Lights Up for the PlayStation 5 Launch
- [NewsWire](https://hashir.net/work/newswire/): 2020, brand identity. A sharper mark for a Sri Lankan news service: the ribbon N readers knew, with a W for Wire hidden in its lines.
- [Never Binge Solo, Samsung](https://hashir.net/work/never-binge-solo/): 2018, social. Binging in hyperspace!
- [#IslandView, Virgin Atlantic](https://hashir.net/work/virgin_atlantic_islandview/): 2018, 360, interactive. Putting Tobago on the map.
- [Moz the Monster, John Lewis](https://hashir.net/work/moz-the-monster/): 2017, interactive, in store. Bringing a friendly giant to life.
- [Providence Auto](https://hashir.net/work/providence-auto/): 2016, brand identity. A monogram for a car export business: one ring, cut into a p and an a.
- [The Ultimate Review, Virgin Atlantic](https://hashir.net/work/the-ultimate-review/): 2016, 360 film, display. Life doesn’t come to you, so go to it!
- [The Slow Mo Guys, YouTube](https://hashir.net/work/the-slow-mo-guys/): 2014, film, out of home. Making every second epic!
- [Zoella, YouTube](https://hashir.net/work/zoella/): 2014, film, display. Bring out the best in me.
- [Assist Moneypenny, Sony](https://hashir.net/work/assist-moneypenny/): 2015, interactive. Made for Bond.
- [150 Years of John Lewis](https://hashir.net/work/150-years-of-john-lewis/): 2014, digital, display. Celebrati
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