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Toccata Music Group | Toccata Classics | Toccata Press | Toccata Next

Forgotten Music By Great Composers, Great Music By Forgotten Composers

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# Toccata Music Group | Toccata Classics | Toccata Press | Toccata Next

> Forgotten Music By Great Composers, Great Music By Forgotten Composers
> Last updated: 2026-10-21

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## Recent Content

- [January 2027 Toccata Classics Bundle](https://toccataclassics.com/product/january-2027-toccata-classics-bundle/): Included in this bundle:

 	Robert Chumbley: Music for Voice, Piano and Orchestra
 	Alexander Brincken: Orchestral Music, Volume Two
 	Bernard van Dieren: Music for Voice and Chamber Orchestra
 	Joseph Kolkovich: Piano Works, Volume One
- [Joseph Kolkovich: Piano Works, Volume One](https://toccataclassics.com/product/joseph-kolkovich-piano-works-volume-one/): Joseph Kolkovich and his music have both been on long journeys. Born in Slovakia in 1957, he spent his first two decades there, as Jozef Kolkovič, becoming active in both classical music and rock. A move to California began a further decade as a rock keyboardist, after which he gradually returned to classical music, incorporating elements of both stylistic worlds in a language direct in its emotional appeal. The two shorter pieces in this first album of his piano music show an ability to generate atmosphere and structure from short motifs, but it is his epic First Piano Sonata, almost an hour in length, that reveals him as a master narrator. He was particularly moved by the history of the victims of the military regime in 1970s and ’80s Argentina, and by the courage of the ‘Mothers of the Plaza de Mayo’ in resisting it, and he responded with this monumental chronicle-in-sound, a multifaceted mix of explosive fast movements and tragic slow ones, drawing on both his rock and classical backgrounds in its mixture of lamentation and wild rides.

Magdaléna Bajuszová, piano
- [Bernard van Dieren: Music for Voice and Chamber Orchestra](https://toccataclassics.com/product/bernard-van-dieren-music-for-voice-and-chamber-orchestra/): The Anglo-Dutch composer Bernard van Dieren (1887–1936) was much else besides: violinist, calligrapher, bookbinder, cabinetmaker, author and critic, photographer, polyglot, foreign correspondent, marksman, well read in the arts and sciences, capable of prodigious feats of memory. Based in London from 1909, he enjoyed the ardent support of a small group of musicians, but his intensely argued music baffled most of his contemporaries, and since his early death from kidney disease, it has rarely been heard. This pioneering recording reveals a musical language between the styles of his friend and mentor Busoni and early Schönberg: tonally anchored but chromatically adventurous – a harmonic ambivalence reflected in textures combining long, lyrical lines with intricate contrapuntal tapestries. It transpires that Van Dieren’s reputation as an intellectual was only part of the truth: this music is animated by a wide range of heart-felt emotions, from impassioned anguish to a buoyant sense of fun.

Matthew
…

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