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# Jazzadvice
## Sitemaps
- [XML Sitemap](https://www.jazzadvice.com/sitemap_index.xml): Includes all crawlable and indexable pages.
## Posts
- [Dominant Chords in Jazz: A Player’s Guide](https://www.jazzadvice.com/lessons/dominant-chords-in-jazz-a-players-guide/): Why are dominant chords so important to master as an improviser??
- [The Pentatonic Scale: An Essential Musical Tool](https://www.jazzadvice.com/lessons/the-pentatonic-scale-an-essential-musical-tool/): The pentatonic scale, in its simplest form, is exactly what the words tell us: a five note scale...
- [10 Essential Jazz Tunes for Beginners](https://www.jazzadvice.com/lessons/10-essential-jazz-tunes-for-beginners/): Learning how to improvise goes hand in hand with learning tunes, there’s no way around it. The only problem is that as a "beginner" it can be hard to figure out exactly where you should begin with all of these tunes.
- [Caravan: An Improviser’s Guide to the A Section](https://www.jazzadvice.com/lessons/caravan-an-improvisers-guide-to-the-a-section-premium/): If you've spent any time listening, learning tunes, or performing, you've probably encountered the composition Caravan by Juan Tizol and Duke Ellington...
- [Mastering IV to I Movement: 8 Secrets from Sonny Clark](https://www.jazzadvice.com/lessons/mastering-iv-to-i-movement-8-secrets-from-sonny-clark-premium/): One of the tunes that prominently features this IV to I motion is Alex Kramer's 1944 composition, Candy. The version we'll check out today is from Lee Morgan's album of the same name with Sonny Clark, Doug Watkins, and Art Taylor...
- [A Night in Tunisia: Navigating the Interlude & Solo Break](https://www.jazzadvice.com/lessons/night-in-tunisia-interlude-break-premium/): The interlude and solo break of A Night in Tunisia is a scary moment. The build up. The intensity. All eyes are on you. The band drops out, and somehow you have to play something convincing while keeping the time.
- [5 Next-Level Jazz Contrafacts You Should Know](https://www.jazzadvice.com/lessons/5-next-level-jazz-contrafacts-you-should-know/): Taking something old and making it new is an integral part this music. And when it comes to the standard repertoire, this idea pops up in the form of contrafacts: new melodies written over existing song forms and chord progressions.
- [Tom Harrell Plays There Will Never Be Another You](https://www.jazzadvice.com/lessons/tom-harrell-plays-there-will-never-be-another-you-premium/): In this PRO lesson we’ll explore this process with a few solo choruses from the great Tom Harrell on a familiar jazz standard that many musicians know well.
- [10 Tritone Substitution Tactics from Kenny Dorham](https://www.jazzadvice.com/lessons/10-tritone-substitution-tactics-from-kenny-dorham-premium/): Tritone Substitution is one of those terms you often hear tossed around in music theory classes. A definiti
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