janpeterdegraaff.com valid
Jan-Peter de Graaff
Composer and conductor
- Authority
- 46 reach 0 · trust 10 · quality 21 · freshness 15
- Tier
- listed
- llms.txt
- https://janpeterdegraaff.com/llms.txt
- Sections
- 2
- Links
- 79
- Size
- 33881 bytes
- Registered
- 2011-07-24
- Country
- France Hosting inference
- Hosting country
- France Hosting inference
- Country evidence
- No published address evidence collected yet
- For agents
- Documentation: developer or product docs worth reading, nothing to call
- First seen
- 2026-10-25T12:43:33.616Z
- Last checked
- 2026-10-25T12:43:35.958Z
- Badge
Their llms.txt
The beginning of the file, from our validated copy saved 2026-10-25T12:43:33.629Z. Cached copy · Source on janpeterdegraaff.com
# Jan-Peter de Graaff
> Composer and conductor
## Posts
- [Hagar (2025)](https://janpeterdegraaff.com/compositions/music-theatre/hagar-2025/): A bold and creative partnership between composer Jan-Peter de Graaff and librettist Eleanor Barlow, Hagar is a daring, modern and fiercely human reimagining of the ancient tale that explores resilience, scandal, and consequence.
- [Lock, Stock and Barrel (2024)](https://janpeterdegraaff.com/compositions/solo/lock-stock-and-barrel/): Lock, stock, and barrel is a two-episode suite for solo piano, commissioned by the YPF Piano competition as compulsory work for participants of the competition.
- [Effugium (2024)](https://janpeterdegraaff.com/compositions/choral/effugium-2024/): Effugium is a requiem based on texts by Jean-Paul Sartre’s Huis Clos and the liturgical Dies Irae. The piece was performed by chamber choir Ad Parnassum and The Brabant Chamber Orchestra.
- [Concerto No. 6 "Métropolitain" (2023)](https://janpeterdegraaff.com/compositions/orchestral/concerto-no-6-metropolitain/): Concerto no.6 “Metropolitain” is a concerto in two contrasting movements describing the feeling of living in an urban environment, where everything seems to be built to guide and transport humanity with maximum efficiency in such a way that there is no real distinction between ‘inside’ and ‘outside’ anymore.
- [Concerto No. 7 (2024)](https://janpeterdegraaff.com/compositions/orchestral/concerto-no-7/): In four movements this piece demonstrates the different sound worlds that the Luthéal can create in a heated dialogue with the Orchestra and explores the unknown grounds between beauty and corruption, or even the beauty of corruption, as not only the sounds of the piano are manipulated, but also the different musical styles this concerto is referring to.
- [Stalagmieten Samba (2023)](https://janpeterdegraaff.com/compositions/ensemble/stalagmieten-samba/): Neo-Fanfare 9x13 toured with ‘Stalagmieten Samba’ as part of their music theatre show ‘Nieuw Babylon’ about the relationship between humanity and toxic work environments.
- [Enivrez-Vous! (2022)](https://janpeterdegraaff.com/compositions/chamber/enivrez-vous-2023/): Enivrez-Vous ! (Get drunk!) leans its title from the poem with the same name by Charles Baudelaire. In four movements this piece describes different forms of being drunk, both in metaphorical as in literal sense.
- [Het Gouden Kalf (2022)](https://janpeterdegraaff.com/compositions/choral/het-gouden-kalf/): Het Gouden Kalf is inspired by the epic exodus of a people in search of a new future. Timeless matter that is powerfully reflected in our time.
- [Fanfarelle (2022)](https://janpeterdegraaff.com/compositions/chamber/fanfarelle/): The Ruysdael Quartet commissioned 25 composers, offering them a carte blanche to explore various themes, including Ruysdael and motifs like space and stars. The resulting works represent a broad spectrum of styles, ranging from minimal music and lyricism to microtonality, jazz, and wo
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