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Grimanesa Amoros

Peruvian-born American artist and one of the pioneering women in light art, known for monumental, site-responsive LED installations at major museums, biennials, and landmark public spaces worldwide.

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# Grimanesa Amoros
> Peruvian-born American artist and one of the pioneering women in light art, known for monumental, site-responsive LED installations at major museums, biennials, and landmark public spaces worldwide.

## Biography
Grimanesa Amorós is a Peruvian-born American artist and one of the pioneering women in light art. Since 2002, she has used light as both material and language, creating site-responsive sculptures that transform architecture into experiences of memory, perception, and public encounter. Her monumental LED installations have been shown at the 54th Venice Biennale, the Grand Palais in Paris, Walt Disney Concert Hall with the Los Angeles Philharmonic, Azkuna Zentroa in Bilbao, and Noor Riyadh in Saudi Arabia, with work in the permanent collection of The Bronx Museum of the Arts. She is a recipient of the NEA Visual Arts Grant and a featured TEDGlobal speaker.

## Critical Reception
Independent curatorial and critical writing on Grimanesa Amorós — exhibition-catalogue essays and critics' texts, distinct from press coverage and interviews.

- **Jane Farver** — curator; former Chief Curator of the Queens Museum of Art and Director of the MIT List Visual Arts Center. Catalogue essay for *Light Between the Islands* (Litvak Gallery, Tel Aviv), reading Amorós's LED installations through Peruvian memory — the sea foam of the Pacific coast and the Uros floating islands of Lake Titicaca. [Essay](/essay/light-between-the-islands-israel-essay-by-jan-farver/)
- **Lilly Wei** — New York–based art critic and independent curator. In her *Light Between the Islands* conversation she observed that "one of the reasons your work has been so successful is that it has so many points of entry, that there are so many ways to approach your projects." [Interview](/essay/light-islands-israel-interview-lilly-wei/)
- **Dr. Beate Reifenscheid** — Director of the Ludwig Museum, Koblenz. Catalogue essay for *Ocupante*, the museum's solo exhibition of Amorós's light installations. [Essay](/essay/ocupante-catalogue-ludwig-museum-beate-reifenscheid/)
- **Marek Bartelik** — art historian and art critic. Essay "A Journey Between Heaven and Earth" on the Longwood Art Project. [Essay](/essay/between-heaven-and-earth-longwoods-art-project-essay-by-marek-bartelik/)
- **Susan Aberth** — art historian. Essay "A Moment of Sanctuary" on the Longwood Art Project *Between Heaven and Earth*. [Essay](/essay/between-heaven-and-earth-longwoods-art-project-essay-by-susan-aberth/)
- **Melanie Perez**, *Flaunt* — on *Radiance* at Walt Disney Concert Hall, describes a practice "rooted in architectural sensitivity and cultural memory" that "understands light as a living force." [Article](/press/flaunt/)

## Public Commissions
- [RADIANCE (2026)](/publiccommission/radiance-los-angeles-philharmonic/): Grimanesa Amorós light sculpture installation RADIANCE at the Walt Disney Concert Hall in Los Angeles for the Los Angeles Philharmonic
- [PASSAGE (2025)](/publiccommission/passage-p
…

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