cageyfilms.com valid
Cagey Films
K. George Godwin - Film Editor
- Authority
- 46 reach 5 · trust 5 · quality 21 · freshness 15
- Tier
- listed
- llms.txt
- https://cageyfilms.com/llms.txt
- Sections
- 5
- Links
- 1431
- Size
- 437463 bytes
- Popularity rank
- #909037
- Registered
- 2010-02-11
- Country
- — Publisher location unknown; CDN address excluded
- Country evidence
- No published address evidence collected yet
- For agents
- Documentation: developer or product docs worth reading, nothing to call
- First seen
- 2026-10-19T10:45:18.573Z
- Last checked
- 2026-10-21T20:31:18.849Z
- Badge
Their llms.txt
The beginning of the file, from our validated copy saved 2026-10-21T20:31:15.634Z. Cached copy · Source on cageyfilms.com
Generated by All in One SEO v4.9.3, this is an llms.txt file, used by LLMs to index the site.
# Cagey Films
K. George Godwin - Film Editor
## Sitemaps
- [XML Sitemap](https://www.cageyfilms.com/sitemap.xml): Contains all public & indexable URLs for this website.
## Posts
- [Blog](https://www.cageyfilms.com/blog/)
- [Ghosts Good and Bad](https://www.cageyfilms.com/2017/11/ghosts-good-and-bad/) - Two Italian classics and an imaginative new movie offer differing thematic takes on survival after death.
- [Re-evaluating Italian horrors on Blu-ray from 88 Films](https://www.cageyfilms.com/2023/03/reevaluating-italian-horrors-on-blu-ray-from-88-films/) - Collector's Editions from 88 Films provide an opportunity to re-evaluate two familiar Italian horror movies. My opinion of Pupi Avati's creepy Zeder (1983), always favourable, has been confirmed, while I now have a new appreciation of Mario Bava's Hatchet for the Honeymoon (1970), which I'd always seen as a minor and not entirely successful addition to his filmography.
- [Winter viewing 2026: hitmen, sinister surgeons and corrupt cops](https://www.cageyfilms.com/2026/01/winter-viewing-2026-hitmen-sinister-surgeons-and-corrupt-cops/) - I recently revisited three more old favourites - two in new 4K editions - two dealing with human monstrosity (Orson Welles' final studio picture Touch of Evil [1958] and Georges Franju's influential poetic horror Eyes Without a Face [1960]), while the other, John Woo's The Killer (1989), paradoxically finds redemption in bloody violence.
- [John Huston's <i>The Dead</i> (1987): Criterion Blu-ray review](https://www.cageyfilms.com/2026/01/john-hustons-the-dead-1987-criterion-blu-ray-review/) - John Huston's final film, The Dead (1987), made as he was dying, is an exquisite adaptation of James Joyce's story about loss, mortality, and the ways in which people are haunted by the past. Criterion's new 4K restoration captures this masterpiece in all its subtlety, from the material textures of its precisely observed social setting to the many emotional shadings of characters portrayed by a remarkable ensemble cast.
- [Winter viewing 2026: horror, betrayal, imperialism and worker exploitation](https://www.cageyfilms.com/2026/01/winter-viewing-2026-horror-betrayal-imperialism-and-worker-exploitation/) - Over the transition to a new year I've been revisiting some old favourites - Wim Wenders' The American Friend (1977), John Milius' The Wind and the Lion (1975) and Peter Hyams' Outland (1981) - and one new movie by a favourite filmmaker, Larry Fessenden's Blackout (2023), with a side trip ito Italian Gothic with Severin's latest Danza Macabra box set.
- [Catching up with Twilight](https://www.cageyfilms.com/2017/05/catching-up-with-twilight/) - Four Blu-rays from Twilight Time showcase exceptional performances by actors in a wide range of styles from classical Hollywood to raw naturalism.
- [Boxed In](https://www.cageyfilms.com/2019/12/boxed-in/) - From trash to art, boxed set
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