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American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

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The beginning of the file, from our validated copy saved 2026-10-20T21:51:19.195Z. Cached copy (size limited) · Source on acda.org

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# American Choral Directors Association

The mission of ACDA is to inspire excellence and nurture lifelong involvement in choral music for everyone through education, performance, composition and advocacy.

## Posts

- [Sample Page](https://acda.org/sample-page) - This is an example page. It's different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this: Hi there! I'm a bike messenger
- [September 2026](https://acda.org/archives/7894) - -Jules Massenet and the Orpheon Tradition -Revisiting Pierre Villette -An Interview with Stephen Layton -The Choruses of Georges Bizet -A Stepwise Approach to Teaching French Diction -The Use of French Latin for Choral Music -Designing the Community Choir Experience -Recorded Sound Reviews
- [October 2026](https://acda.org/archives/8289) - -Cultivating Shared Knowing in Choral Commissioning -Colonial Moravian Music Performance Practice -Rehearsal Strategies for Developing Awareness of Harmonic Context -A Conversation with Robert Geary -The Hidden Curriculum of Student Teaching -ACDA International Symposium on Research in Choral Singing Conference Report -IJRCS Excerpt: Online Social Comparison -Recorded Sound Review -Choral Review: Two New Works from Sir John Rutter
- [“O–hel–pu–slor”: Realization of word-final /d/ in British classical choral singing](https://acda.org/archives/8377) - AbstractPrevious research has found that the accent of British classical choral singing is based on a non regional prestige accent, Southern Standard British English, in terms of front vowels. Evidence shows that local accents can also form part of the choral accent, in terms of consonants. However, choral singing as an art form is more
- [IJRCS Volume 14 (2026)](https://acda.org/archives/7647) - In this issue:  Teaching Music through the Melodies of Christian Hymns: Philosophy and Application (J. Blake)  Sound Energy Levels Produced by a Choral Ensemble: Considering the Risk of Music-Induced Hearing Loss (K. Sullivan, M. Taylor)  “I Make This Look Good” Pathways, Successes, and Equity Issues Among Women in Choral Conducting (M. Baughman, M. Heaney)  The Effects of Body Mapping Instruction on Singers' Posture (A. Moreno)  Music Teachers’ Ability to Identify Healthy and Unhealthy Vocal Behaviors (R. Hackworth)  Implicit Theories of Singing Ability and Singing Self-Concept in the Collegiate Choral Hierarchy (K. Adams, J Nápoles)  A Case Study of Herriman High School’s Advanced Treble Choir, Vivace (E. Mercado, A. Howden)  VOCES8 Foundation “Sing Together” U.S. Pilot Program: Perceived Impact on Grade 3 Children (C. Booth-LaForce, A. Wright, O. Earl)  “O–hel–pu–slor”: Realization of word-final /d/ in British classical choral singing (E. Marshall)
- [VOCE
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