# Garland Magazine: The stories behind what we make > Garland is a platform for the stories behind what we make in the wider world\. These are beautiful and thoughtful objects made by hand today\. There are 2,200 stories from 100 different countries\. Generated by Yoast SEO v28.7, this is an llms.txt file, meant for consumption by LLMs. ## Pages - [The Inheritors ✿ October 2026](https://garlandmag.com/issue-49/) - [Home](https://garlandmag.com/) - [A garden of stories](https://garlandmag.com/garden/) - [Mycelium gatherings](https://garlandmag.com/mycelium/) - [September 2026 ✿ Go with the flow](https://garlandmag.com/issue-48/) ## Posts - [Basotho hat, Bôgôlan and felt among crafts awaiting UNESCO listing](https://garlandmag.com/basotho-hat-bogolan-and-felt-among-crafts-awaiting-unesco-listing/): More than ten of the 64 files before UNESCO's intangible heritage committee this year concern craft knowledge, ranging from Algerian glazed tilework to Korean papermaking\. - [The craft of Kōji Yakusho](https://garlandmag.com/the-craft-of-koji-yakusho/): D Wood follows Kōji Yakusho from Perfect Days back to Tampopo, a ramen comedy that doubles as a study of amateurism and the craftsperson\. - [Vale Col Levy 1933 – 2026](https://garlandmag.com/col-levy/): One of Australia's most significant potters has died at the age of 92\. - [Australian glass](https://garlandmag.com/australian-glass/) - [Australian fibre](https://garlandmag.com/australian-fibre/) ## Media - [Daniel Clifford Photo 5\_result](https://garlandmag.com/wp-content/uploads/2026/10/Daniel-Clifford-Photo-5_result.jpg): Daniel Clifford, There Was Nothing Wrong With The System, which was the Problem 2026 repurposed Formica table, acrylic ink, acrylic paint, 2pak clear coat120 x 120 x 4 cm\. Photograph by Louis Lim - [Daniel Clifford Photo 4\_result](https://garlandmag.com/wp-content/uploads/2026/10/Daniel-Clifford-Photo-4_result.jpg): Daniel Clifford, The Successful Integration of Incompatible Systems 2026 repurposed Formica table, acrylic ink, acrylic paint, 2pak clear coat, 90 x 150 x 4 cm\. Photograph by Louis Lim - [IMG\_8254\_result](https://garlandmag.com/wp-content/uploads/2026/09/IMG_8254_result.jpg): Installation view of Figure of 8 in Milani Gallery during August 2026, featuring artworks from Selig’s Reverse Pendulum series\. Photo: Carl Warner - [images \(4\)](https://garlandmag.com/wp-content/uploads/2026/10/images-4.jpg): Al Saafiyat, traditional Arab fibre and wicker works is listed for possible designation\. - [tampopo1](https://garlandmag.com/wp-content/uploads/2026/10/tampopo1-e1791417104909.webp) ## Articles - [Scraped back: Ink, laminate, and the politics of the family table](https://garlandmag.com/article/scraped-back-ink-laminate-and-the-politics-of-the-family-table/): Pamela See traces Daniel Clifford's defaced Formica tabletops and googly\-eyed watchers, following domestic arguments from a Pākehā childhood to an adult reckoning with power\. - [Weaving a livelihood in the Negev](https://garlandmag.com/article/lakiya/): A British nurse who came to the Negev for a year and stayed a lifetime, reviving Bedouin weaving as a livelihood for the region's women\. - [A line from any point: Euclid reimagined in string](https://garlandmag.com/article/a-line-from-any-point-euclid-reimagined-in-string/): Sandra Selig sets string swinging and spiralling through Figure of 8, turning Euclidean geometry and backyard physics into meditations on wonder and infinity\. - [The rings of Biyal: Healing through the timber of a fallen red gum](https://garlandmag.com/article/the-rings-of-biyal/): Five voices tell of works made from Biyal’s fallen limb on Djandak, Djaara Country, bringing mob, community and Country together\. - [Two\-Ways Learning – The gift that keeps on giving](https://garlandmag.com/article/two-ways-learning/): How do incommensurate cultures work together? How do they connect while acknowledging differences? Bala ga Lili \(Two\-ways Learning\) \(2016\) is a cross\-cultural collaboration between Melbourne furniture designer, Damien Wright and Yolngu man, Bonhula Yunupingu, It was exhibited at Castlemaine Art Museum’s 2017 as part of The Extractive Frontier: Mining For Art, co\-curated by Beverley Knight and Clare Wright\. ## Categories - [Articles](https://garlandmag.com/category/issue/articles/) - [Loop](https://garlandmag.com/category/loop/) - [Threads](https://garlandmag.com/category/threads/) - [Garden](https://garlandmag.com/category/garden/) - [Circle](https://garlandmag.com/category/circle/) ## Tags - [textiles](https://garlandmag.com/tag/textiles/) - [ceramics](https://garlandmag.com/tag/ceramics/) - [India](https://garlandmag.com/tag/india/) - [jewellery](https://garlandmag.com/tag/jewellery/) - [exhibition](https://garlandmag.com/tag/exhibition/) ## Issues - [Issue 1](https://garlandmag.com/issue/issue-1/) - [Issue 36](https://garlandmag.com/issue/issue-36/) - [Issue 9](https://garlandmag.com/issue/issue-9/) - [Issue 13](https://garlandmag.com/issue/issue-13/) - [Issue 10](https://garlandmag.com/issue/issue-10/) ## Optional - [Sitemap index](https://garlandmag.com/sitemap_index.xml)