# Akira Rabelais > 忘れていた詩集の紙で指を切る ## Posts - [Granular complex of fluid atoms](https://akirarabelais.com/2026/09/16/%e4%b8%83%e7%99%be%e4%b8%83%e5%8d%81%e4%b8%83%e5%84%84%e4%b8%83%e5%8d%83%e4%b8%83%e7%99%be%e4%b8%83%e5%8d%81%e4%b8%83%e4%b8%87%e4%b8%83%e5%8d%83%e4%b8%83%e7%99%be%e4%b8%83%e5%8d%81%e4%b8%83/): "contemplator enim, cum solis lumina cumque inserti fundunt radii per opaca domorum: multa minuta modis multis per inane videbis corpora misceri radiorum lumine in ipso et vel ut aeterno certamine proelia pugnas edere turmatim certantia nec dare pausam, conciliis et discidiis exercita crebris; conicere ut possis ex hoc, primordia rerum quale sit in magno iactari semper inani. - [Seiðr sýnir beygðan, sannr gerist hlypinn](https://akirarabelais.com/2026/03/18/seidr-synir-beygdan-sannr-gerist-hlypinn/): Seiðr sýnir beygðan, sannr gerist hlypinn; sjónir eru snúnar, hugr er villtr. Spegill kveðr logn, lýstr þó brengdan; orð goða hrynja, óskyn sigrar. 1577 B. - [Lessons of Darkness](https://akirarabelais.com/2026/01/17/lessons-of-darkness/): By dint of declaration the so-called Cinéma Vérité is devoid of vérité. It reaches a merely superficial truth, the truth of accountants. - [The Twelve Days of Krampus](https://akirarabelais.com/2025/12/01/the-twelve-days-of-krampus/): Something wicked this way comes. - [The Street of Crocodiles](https://akirarabelais.com/2025/11/01/the-street-of-crocodiles/): MY FATHER kept in the lower drawer of his large desk an old and beautiful map of our city. - [On ðone ærystan dæg þæs [monðes] bið ealra haligra tid](https://akirarabelais.com/2025/10/15/al-halwyn-yeven/): OE Old Eng. Martyrol. (Julius) 1 Nov. 243 On ðone ærystan dæg þæs [monðes] bið ealra haligra tid. OE Wulfstan Canons of Edgar (Junius) (1972) liv. - [L'angelo caduto diventa un diavolo maligno](https://akirarabelais.com/2025/10/14/il-mostro-di-frankenstein/): “Oh, it is not thus—not thus,” interrupted the being; “yet such must be the impression conveyed to you by what appears to be the purport of my actions. - [The Final Roadside Circle of Picnic Paradise](https://akirarabelais.com/2025/10/05/the-final-roadside-circle-of-picnic-paradise/): Everything is now understandable. It’s odious, that I understand…. - [カオスの名 呼べば応えず 沈黙だけ](https://akirarabelais.com/2025/09/27/by-the-name-of-chaos/): 1684 T. Burnet Th. Earth II. 109 Nature relapses hastily into that chaos-state. 1975 Li & Yorke in Amer. Math. Monthly LXXXII. - [╌╾⎯⍜━╍ *▄╍┈―⁃](https://akirarabelais.com/2025/06/18/%e2%95%8c%e2%95%be%e2%8e%af%e2%8d%9c%e2%94%81%e2%95%8d-%e2%96%84%e2%95%8d%e2%94%88%e2%80%95%e2%81%83/): This passes each averting glamour, a broken anything about going lost, but past far abstract which for carelessly neglected liquidness pouring to deepen foundations of the real; to bring about ever clearer more passionate sleep and abysses, flowed river thence to black, lightless clear to the namelessly imagination. - [Theories Periodic under Operators are as States Amplitudes](https://akirarabelais.com/2025/05/19/theories-periodic-under-operators-are-as-states-amplitudes/): In doing technical calculations, we perform transformations and superpositions that lead to large sets of quantum states which we now regard as templates, or candidate models for processes that can always be superimposed at a later stage to describe the phenomena we observe. - [and nothing happened](https://akirarabelais.com/2024/12/27/and-nothing-happened/): After introducing the Incompleteness Theorem (Die Vollständigkeit der Axiome des logischen Funktionenkalküls), Gödel turned his attention to Einstein’s theory of relativity (Zur Elektrodynamik bewegter Körper). - [Mama Black Widow, Mama moaned, “Thet fool chile.”](https://akirarabelais.com/2024/05/12/mama-black-widow-mama-moaned-thet-fool-chile/): “But, God, you taught me to love and to help everybody regardless of race and color. And it was you, Lord, who directed me to go everywhere I was needed. - [Burgundy, Third Witch & Cranmer](https://akirarabelais.com/2024/05/06/burgundy-third-witch-cranmer/): … 私のソフトウェアは音楽に関する奇妙なアイデアを生み出しています。 - [Star of the Unborn, this soft but sharp, feeble but shrilly screeching eruption of human rage rising from the extensive turnip field made me forget everything else](https://akirarabelais.com/2024/03/28/star-of-the-unborn/): The Ancestress asked permission to touch my hand. - [When beetles fight these battles in a bottle with their paddles and the bottle's on a poodle and the poodle's eating noodles … Malbolge Fox in Socks, Sir!](https://akirarabelais.com/2024/02/04/malbolge-fox-in-socks/): (Knox in box. Fox in socks.) - [The Sorrows of Priapus, We Weep Because The Human Race Is No Better Than It Is](https://akirarabelais.com/2023/11/27/the-sorrows-of-priapus/): Man must be classed among the brutes, for he is still a very awkward and salacious biped. What shape he will assume in the future is vague. - [§ 31. Das Da-sein als Verstehen, Am morgen ein Bier und der Tag gehört dir … In vino veritas](https://akirarabelais.com/2023/10/01/trink/): Die Befindlichkeit ist eine der existenzialen Strukturen, in denen sich das Sein des »Da« hält. - [The Work … and man made this curse a pleasure](https://akirarabelais.com/2023/08/15/the-work/): „Oamenii muncesc în general prea mult pentru a mai putea fi ei înşişi. Munca este un blestem. Iar omul a făcut din acest blestem o voluptate. - [A brief abstract of The Mahabharata … in ten thousand words](https://akirarabelais.com/2023/07/10/mahabharata/): Consisting of 18 books, or parvas, this story revolves around the conflict between two factions of cousins, the Kauravas and Pandavas, for the throne of Hastinapura. - [Norstrilia, the story is simple …](https://akirarabelais.com/2023/05/11/norstrilia/): But he didn't want girls. - [Fire, … it’s good to have room for new things](https://akirarabelais.com/2023/05/08/fire-its-good-to-have-room-for-new-things/): Even in a large city, the streets after a certain advanced hour of night are relatively still. - [Le Système des objets, into the domestic universe](https://akirarabelais.com/2023/05/06/le-systeme-des-objets/): 家具変わる、 空間舞う風、 心の踊り。 - [ism, n.](https://akirarabelais.com/2023/04/18/ism-n/): A form of doctrine, theory, or practice having, or claiming to have, a distinctive character or relation: chiefly used disparagingly, and sometimes with implied reference to schism. - [廃屋の馬](https://akirarabelais.com/2023/04/11/abandoned-house-horse/): il y avait autrefois une vieille maison abandonnée, perdue dans les bois, que personne ne visitait plus. - [The Country Boy](https://akirarabelais.com/2023/03/20/the-country-boy/): de mineral mojado. - [A Man in Love, … next year I shall plant some Tomatoes](https://akirarabelais.com/2023/02/02/a-man-in-love/): Walking down a narrow street one evening, I stole a melon. The fruit seller, who was lurking behind his fruit, caught me by the arm. - [The topographical and anatomical information in particular is lost on me … I see nothing. It's because there is nothing.](https://akirarabelais.com/2022/12/28/i-see-nothing/): I see nothing. It's because there is nothing. Or it's because I have no eyes. Or both. (That makes three possibilities, to choose from.) - [To dream burnished surfaces are a figuration and promise of the infinite … how little we know](https://akirarabelais.com/2022/12/21/promise-of-the-infinite/): The Universe, which others call the Library, is composed of an indefinite, perhaps infinite number of hexagonal galleries. - [With love to you all, including Triggs, I remain, Yours very affectionately](https://akirarabelais.com/2022/12/16/yours-very-affectionately/): To Thy goodness we commend ourselves this night beseeching Thy protection of us through its darkness and dangers. - [Her on þisan geare .. Ælfgar biscop se ælmesfulla forðferde on Cristesmæsseuhtan … Feowertig daga ær Criste acennisse, þæt is ær geolum [v.r. gyhhelum]](https://akirarabelais.com/2022/12/10/winterfeorm/): OE Phoenix 37 Wintres ond sumeres wudu bið gelice bledum gehongen. OE Beowulf 1128 Hengest ða gyt wælfagne winter wunode mid Finne. - [Dulce Domum … it was good to think he had this to come back to, this place which was all his own](https://akirarabelais.com/2022/12/09/dulce-domum/): The sheep ran huddling together against the hurdles, blowing out thin nostrils and stamping with delicate fore-feet, their heads thrown back and a light steam rising from the crowded sheep-pen into the frosty air, as the two animals hastened by in high spirits, with much chatter and laughter. - [l'histoire secrète racontée entre les lignes sinueuses et le sens … Þer wes blisse & muche song](https://akirarabelais.com/2022/12/01/lhistoire-secrete-a/): 1330 R. Mannyng Chron. Wace (Rolls) 4024 After Sysilly com Glegabret, A syngere of þe beste get. 1386 G. - [King Lear … Fear & Loathing. A Study. An Approach. A Clearing. No Thing](https://akirarabelais.com/2022/11/13/king-lear-fear-loathing-a-study-an-approach-a-clearing-no-thing/): Centering around the phrase 'No Thing'. - [A rip in the fabric of Time, unnerving but fascinating](https://akirarabelais.com/2022/11/12/a-rip-in-the-fabric-of-time/): It appeared as the third and last clock stopped its ticking. Steel saw it first, then Rob. Sapphire was also aware of its presence. - [Nu segð se wyrdwritere þæt seo wicce sceolde aræran þa of deaþe þone Drihtnes witegan Samuhel gehaten](https://akirarabelais.com/2022/10/25/stars-pale-dusk/): OE Ælfric Homily (Corpus Cambr. 178) in J. C. Pope Homilies of Ælfric II. - [Gate of what Lime-tree Flowers in soft-lit Arcades, insignificant in themselves](https://akirarabelais.com/2022/10/23/gate-of-what-lime-tree-flowers-in-soft-lit-arcades/): The model of a contrivance by means of which could certainly get possession of the sheets which were to be a rope; it was a short stick attached by one end to a long piece of thread. - [Remembrance of things past, sigh the lack of many a thing sought, wail my dear time's waste sessions of sweet silent thought in two hundred forty one minutes](https://akirarabelais.com/2022/10/06/recherche/): OE Ælfric Catholic Homilies: 2nd Ser. (Cambr. Gg.3.28) xx. 194 Hit is awriten be ðam yfelum timan. OE Anglo-Saxon Chron. - [Harold Budd](https://akirarabelais.com/2022/09/22/harold-budd/): When I think about Harold Budd several different thoughts and images come to mind, one is an old alternate definition of ‘wine’ … Old English wine = Old Frisian winne, Middle Low German wine, Old Saxon, Old High German wini (Middle High German wine, win), Old Norse vinr. - [図書館](https://akirarabelais.com/2021/10/31/toshokan/): 我不知道“幽灵”这一称呼是否正确,但至少那不是活着的实体,不是现实世界中的存在——这点一眼即可看出。 - [Describing a Circle, why is radix representation a ring isomorphism?](https://akirarabelais.com/2021/08/02/describing-a-circle/): 圈 Describing a Circle; 1305 Edmund Conf. 232 in Early Eng. Poems & Lives Saints (1862) 77 Þreo rounde cerclen heo wrot: in þe paume amidde., concentric; 1400 G. - [Conceptual Art](https://akirarabelais.com/2013/06/17/conceptual-art/): In the '60s and early '70s, when you, along with a few other people, were inventing conceptual art, what did you think you were doing? - [l’histoire secrète racontée entre les lignes sinueuses et le sens … Solvyn, supra in onbyyndyn](https://akirarabelais.com/2007/12/02/lhistoire-secrete-b/): 1384 Bible (Wycliffite, E.V.) (Douce 369(2)) (1850) Dan. ii. 5 Bot ȝe shuln shewe to me the sweuen, and the coniecturyng, or menyng, therof. - [A Ward of 2^30402457-1, Beowulf 319 Ic to sæ wille, wið wrað werod wearde healdan, eight hundred seventy one](https://akirarabelais.com/2005/12/15/a-rune-of-230402457-1/): 680 Cædmon Hymn 1 Nu scylun hergan hefaen~ricaes uard. 971 Blickl. Hom. 11 Salomones reste wæs mid weardum ymbseted. - [Spellwaveringshard](https://akirarabelais.com/2004/04/04/spellwaveringshard/): "you must do exactly as I tell you." - [Finnegans Triskaidekaphobia](https://akirarabelais.com/2002/02/02/finnegans-wake-triskaidekaphobia/): Recirculation, Camibalistics, Bidimetoloves, Habitacularly, Celescalating, Blackguardise, Hurtleturtled, Crunchbracken, Workingstacks, Consternation, Inimyskilling, Wounderworker, Verytableland, Wrothschields, Fleckflinging, Ladymaidesses, Scentbreeched, Bergincellies, Countrybossed, Harpsdischord, Antediluvious, Selfstretches, Jerrybuilding, Prapsposterus, Countlessness, Thanacestross, Anntisquattor, Mightmountain, Infrarational, Reversogassed, Starshootings, Paddyplanters, Doublejoynted, Sibsubstitute, Updipdripping, Authenticated, Leisureloving, Pouringrainia, Skertsiraizde, Magnificently, Vociferatings, Assbawlveldts, Conspicuously, Spontaneously, Circumstances, Reconstricted, Twitterlitter, Convertedness, 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Trickspissers, Sinsinsinning, Windwhistling, Swatmenotting, Gladrolleries, Unmatchemable, Volimetangere, Pantoloogions, Thomistically, Puseyporcious, Northwhiggern, Caecodedition, Trippudiating, Mastersinging, Unnecessarily, Massacreedoed, Holyhagionous, Orangepeelers, Interferences, Interrogation, Concomitantly, Contravention, Regulationing, Disjunctively, Supernatently, Pickpuckparty, Superflowvius, Nircississies, Glenagearries, Pfuffpfaffing, Primapatriock, Macauscullpth, Allenglisches, Bestpreserved, Complimentary, Homesweetened, Teaspoonspill, Preprotestant, Disincarnated, Confoederated, Byusucapiture, Rivulverblott, Whencehislaws, Domestication, Drumcollogher, Mortification, Circumference, Wherewithouts, Freakandesias, Megalopolitan, Sunsmidnought, Unaccompanied, Companionship, Revolucanized, Lilienyounger, Peningsworths, Tallonkindles, Regimentation, Threadneedles, Attachatouchy, Muezzatinties, Lickybudmonth, Kinderwardens, Commandeering, Furrinfrowned, Silentsailing, Stiffstarched, Unpreoccupied, Salmonpapered, Daughterpearl, Thimblecasket, Godolphinglad, Caubeenhauben, Speechreading, Illuminatured, Litteringture, Skillmistress, Interrogarius, Blasphemously, Reprehensible, Chastisements, Interlocutory, Hedcosycasket, Luxuumburgher, Bluefunkfires, Photoflashing, Maypoleriding, Conningnesses, Christmastyde, Staggerhorned. - [Wie sich alles „erhellt“ und „erhält“.](https://akirarabelais.com/1998/06/17/wie-sich-alles-erhellt-und-erhalt/): „Ich habe den Bau eingerichtet und er scheint wohlgelungen. - [Sátántangó, He walks to the lonely chapel, where a madman rings the bell. He goes home and boards up the window.](https://akirarabelais.com/1997/04/28/satantango/): The Bijou is perhaps my favorite space at CalArts. It’s a small theater. Seats about 120 people and an unspecified number of dogs. - [Paintings Should Stick in the Throat](https://akirarabelais.com/1985/12/24/paintings-should-stick-in-the-throat/): A question and its answer … are the painters still those painters who are painting the great cave? - [A little something I tossed off recently in the Caribbean](https://akirarabelais.com/1983/03/31/tossed-off-recently-in-the-caribbean/) - [Little Sleep's-Head, the permanence of smoke or stars](https://akirarabelais.com/1971/02/18/little-sleeps-head/): You scream, waking from a nightmare. - [Dialogue Heresyes i, in Wks. 141/2 In the interpretacion we may paraduenture styck, Is it not so? That is some Satire keene and criticall.](https://akirarabelais.com/1966/03/28/criticall-interpretacion/): The sense of display is abolished. - [I Am for an Art](https://akirarabelais.com/1961/01/28/i-am-for-an-art/): I am for an art that is political-erotical-mystical, that does something other than sit on its ass in a museum. - [The Ghost's Leavetaking](https://akirarabelais.com/1960/10/31/the-ghosts-leavetaking/): Of chairs and bureaus and sleep-twisted sheets. - [Harry Potter & The Rhinocerotidae … the world descends into the absurdist chaos of stampede.](https://akirarabelais.com/1959/07/31/harry-potter-and-the-rhinoceros/): The scene is a square in a small muggle town. - [Megjegyzések egy kiáltványhoz](https://akirarabelais.com/1955/04/09/notes-for-a-manifesto/): Here are the determining facts of the past which tie us together and which, among others, interest us: ‘plastic’ triumphs over anecdote (Manet) – the first geometrization of the exterior world (Cézanne) – the conquest of pure colour (Matisse) – the explosion of representation (Picasso) – exterior vision changes into interior vision (Kandinsky) – a branch of painting dissolves into architecture, becoming polychromatic (Mondrian) – departure from the large plastic synthetics (Le Corbusier) – new plastic alphabets (Arp, Taeuber, Magnelli, Herbin) – abandoning volume for SPACE (Calder) … The desire for a new conception was affirmed in the recent past by the invention of PURE COMPOSITION and by the choice of UNITY, which we will discuss later. - [Manifest, a new consciousness with laws of dialectics](https://akirarabelais.com/1948/09/17/constant-manifest/): The dissolution of Western classical culture is a phenomenon that can be understood only against the background of a social evolution which can end only in the total collapse of a principle of society thousands of years old and its replacement by a system whose laws are based on the immediate demands of human vitality. - [Radio Levania, émettre dans l’espace de la désidération](https://akirarabelais.com/1943/04/06/radio-levania/): « Les grandes personnes sont décidément bien bizarres », se dit-il simplement en lui-même durant son voyage. - [Paradise & Hell can be one City](https://akirarabelais.com/1941/02/10/paradise-and-hell-can-be-one-city/): Die man hierorts vom Himmel hat. - [Later on, the pages of days turned emptily](https://akirarabelais.com/1934/07/12/later-on-the-pages-of-days-turned-emptily/): In the dark apartment my father alone was awake, wandering silently through the rooms filled with the sing-song of sleep. - [den geliebtesten Hilflos versinken, that day he had managed to eat two apples and lay his hands on a little money, enough for a bed for the night](https://akirarabelais.com/1933/01/30/den-geliebtesten-hilflos-versinken/): Taglich vorbeigeh. - [We, Mirrorlike point of the pavement](https://akirarabelais.com/1924/02/01/mirrorlike-point-of-the-pavement-in-a-moment/): The building of the Integral will be completed in one hundred and twenty days. - [Toward an Architecture](https://akirarabelais.com/1923/10/06/toward-an-architecture/): Aesthetic of the Engineer, Architecture: two things firmly allied, sequential, the one in full flower, the other in painful regression. - [МЫ. Вариант манифеста](https://akirarabelais.com/1922/01/02/dziga-vertov-manifesto/): We call ourselves kinoks – as opposed to ‘cinematographers’, a herd of junkmen doing rather well peddling their rags. - [VING-TROS MANIFESTES DU MOUVEMENT DADA](https://akirarabelais.com/1920/05/03/ving-tros-manifestes-du-mouvement-dada/): No more painters, no more writers, no more musicians, no more sculptors, no more religions, no more republicans, no more royalists, no more imperialists, no more anarchists, no more socialists, no more Bolsheviks, no more politicians, no more proletarians, no more democrats, no more bourgeois, no more aristocrats, no more armies, no more police, no more fatherlands, enough of all these imbecilities, no more anything, no more anything, nothing, nothing, nothing, nothing. - [Liberating from the Ready-made Reality](https://akirarabelais.com/1917/07/22/liberating-from-the-ready-made-reality/): … We propose liberating painting from its subservience to the ready-made form of reality and to make it first and foremost a creative, not a reproductive, art. - [Dada Manifesto, Each thing has its word, but the word has become a thing by itself](https://akirarabelais.com/1916/07/12/dada-manifesto/): Dada is a new tendency in art. - [He had suddenly perceived, where it was trying to surge upwards in a flowing tide of sound, the mass of the piano-part, multiform, coherent, level, and breaking everywhere in melody like the deep blue tumult of the sea](https://akirarabelais.com/1913/11/14/charmed-into-a-minor-key-by-the-moonlight/): Or quand le pianiste eut joué, Swann fut plus aimable encore avec lui qu’avec les autres personnes qui se trouvaient là. - [L'arte dei rumori, the logical consequence of your marvelous innovations](https://akirarabelais.com/1913/03/11/the-art-of-noises/): A Roma, nel Teatro Costanzi affollatissimo, mentre coi miei amici futuristi Marinetti, Boccioni, Carrà, Balla, Soffici, Papini, Cavacchioli, ascoltavo l'esecuzione orchestrale della tua travolgente Musica futurista.mi apparve alla mente una nuova arte che tu solo puoi creare: l'Arte dei Rumori, logica conseguenza delle tue meravigliose innovazioni. - [La pittura futurista. Manifesto tecnico](https://akirarabelais.com/1910/04/11/la-pittura-futurista-manifesto-tecnico/): On the 18th of March 1910, in the limelight of the Chiarella Theatre of Turin, we launched our first manifesto to a public of three thousand people – artists, men of letters, students and others; it was a violent and cynical cry which displayed our sense of rebellion, our deep-rooted disgust, our haughty contempt for vulgarity, for academic and pedantic mediocrity, for the fanatical worship of all that is old and worm-eaten. - [Tell me, do you know how to dream?](https://akirarabelais.com/1909/04/15/tell-me-do-you-know-how-to-dream/): I have seen my brother; we met, what's more, in the thick of the city crowd. Our meeting turned out to be a very friendly one. It was unforced and affectionate. - [Manifesto del futurismo](https://akirarabelais.com/1909/02/20/manifesto-del-futurismo/): Filippo Tommaso Marinetti è stato un poeta, scrittore e drammaturgo italiano. - [The view from the East-facing window of my asylum, unless my work is yet another Hallucination …](https://akirarabelais.com/1889/01/28/unless-my-work-is-yet-another-hallucination/): Just a few words to tell you that I’m getting along so-so as regards my health and work. - [Chapter 7: A Mad Tea Party](https://akirarabelais.com/1866/04/13/chapter-7-a-mad-tea-party/): The Hatter, sitting on a low mound, is trying to take off his hat. He pulls at it with both hands, panting. - [You will hardly know who I am or what I mean, but I shall be good health to you nevertheless](https://akirarabelais.com/1855/05/31/you-will-hardly-know-who-i-am-or-what-i-meanbut-i-shall-be-good-health-to-you-neverthelessand-filter-and-fibre-your-blood/): I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. - [Catherine’s rules for behavior for all entering these doors](https://akirarabelais.com/1768/05/02/rules-for-all-entering/): Leave all ranks outside, likewise hats, and particularly swords. - [独行道, Leið sjálfstæðismanna](https://akirarabelais.com/1645/06/06/path-of-independence/) - [I am gone for euer. Exit pursued by a Beare.](https://akirarabelais.com/1587/11/06/exit-pursued-by-a-beare/): "Shakespeare was the theatre's greatest craftsman: he wasted no tortured ratiocination on his plays. - [Argued by Signs; Ha, my masters, a great secret!](https://akirarabelais.com/1532/03/14/argued-by-signs/): Most illustrious and thrice valorous champions, gentlemen and others, who willingly apply your minds to the entertainment of pretty conceits and honest harmless knacks of wit; you have not long ago seen, read, and understood the great and inestimable Chronicle of the huge and mighty giant Gargantua, and, like upright faithfullists, have firmly believed all to be true that is contained in them, and have very often passed your time with them amongst honourable ladies and gentlewomen, telling them fair long stories, when you were out of all other talk, for which you are worthy of great praise and sempiternal memory. - [Satyricon, I need not go to the poets for evidence](https://akirarabelais.com/1123/12/15/satyricon/): Operi modo oculos, et finge te non humana viscera, sed centies sestertium comesse. Accedit huc, quod aliqua inveniemus blandimenta, quibus saporem mutemus. - [Lao Tzu (老子) … beginning of the ten thousand things](https://akirarabelais.com/1123/03/20/the-lao-tzu/): The way can be spoken of is not the constant way. The name that is defined is not the constant name. - [αὐτὰρ ἔπειτ᾿ αὐτοῖσι βέλος ἐχεπευκὲς ἐφιεὶς](https://akirarabelais.com/1123/02/01/homer-iliad-odyssey/): Μῆνιν ἄειδε θεὰ Πηληϊάδεω Ἀχιλῆος οὐλομένην, ἣ μυρί᾿ Ἀχαιοῖς ἄλγε᾿ ἔθηκε, πολλὰς δ᾿ ἰφθίμους ψυχὰς Ἄϊδι προΐαψεν ἡρώων, αὐτοὺς δὲ ἑλώρια τεῦχε κύνεσσιν οἰωνοῖσί τε πᾶσι· Διὸς δ᾿ ἐτελείετο βουλή, ἐξ οὗ δὴ τὰ πρῶτα διαστήτην ἐρίσαντε Ἀτρεΐδης τε ἄναξ ἀνδρῶν καὶ δῖος Ἀχιλλεύς. - [l'histoire secrète racontée entre les lignes sinueuses et le sens … We ðe, soðfæstan god, heriað and lofiað](https://akirarabelais.com/1113/03/05/lhistoire-secrete-c/): OE Old Eng. Hexateuch: Gen. (Claud.) xxiv. ## Pages - [Portfolio](https://akirarabelais.com/portfolio/): "Without a reflective understanding of our current state, we cannot authentically participate in shaping the future." - [森林浴](https://akirarabelais.com/skogsbad/): Oshima climbs into his Miata and flips on the headlights. As he steps on the gas, pebbles shoot up, scraping the bottom of the car. - [舊版本, Legacy Versions](https://akirarabelais.com/al-legacy-versions/): Argeïphontes Lyre version one … animation class, a friend showing some stop motion work, strings of text marching into a blender … power on, spinning blades, characters spilling out zooming every which way … I had to do it in audio … and it became Eviscerator Reanimator. - [ˈnärsəˌsizəm](https://akirarabelais.com/%cb%88nars%c9%99%cb%8csiz%c9%99m/): Né dans le Sud du Texas, vivant à Los Angeles, Akira Rabelais est compositeur, concepteur de logiciel et auteur. - [Argeïphontes Lyre](https://akirarabelais.com/lyre/): Version 7 Thursday October 14, 2026 1923 ⇝ macOS 14+, see Hint menu for help. AL is a suite of creative filters and generators for audio, image and text. - [Music ( hljóðleikr )](https://akirarabelais.com/music/): Por qué los árboles esconden el esplendor de sus raíces? ## Optional - [Agent (MCP protocol)](websites-agents.hostinger.com/akirarabelais.com/mcp) [comment]: # (Generated by Hostinger Tools Plugin)